One of the most mystifying things about music is how it can convey different things to different people, or even to the same person, depending on how they choose to listen.

Stephen Stills was responsible for creating (or being part of) some of the best ‘classic’ rock albums for a ten-year run from 1966-1975, which is to say that “Stills” is his

This show we present the second half of this special record that was not intended to be heard or publicized at all, but is now iconic on numerous levels and in numerous ways.

Kerry Kearney is someone who I always felt I’d like to get to know, for many reasons. First, he is an extraordinary guitarist, and his obvious talents precede him.

As the host of a radio show and also as an active musician, I occasionally find myself in the enviable position of meeting incredibly talented people.

This will sound very strange to anyone not familiar with the history of “The Basement Tapes”, but what we have here is a disappointing replica of the most popular bootleg recording of a

“Red-Headed Stranger” is surely the riskiest record that Wille Nelson ever recorded.

For a guy who has been saddled with impressions of writing “gloom and doom from the tomb” by his own fanbase, there are an awful lot of light moments on “Hokey Pokey.” It ma

If anybody were to compile a list of the most popular and successful bands of the 1970s, Aerosmith would assuredly make the cut.

The world of music has always been a powerful platform for expressing emotions, experiences, and social commentary.